The Art of Home Theater Projectors

Epson Home Cinema 6500 UB – Second Look – Frame Interpolation plus

Greetings all,

OK, the review has progressed quite a bit, and the initial “shock and awe” has worn off.  This blog will primarily address the creative frame interpolation and 4:4 pull-down, as we have discovered some real issues.

I’ve emailed Epson, and my contact is still checking emails, and likely will forward to Japan, so I may have some good answers before Epson America folks return in January.

Before I start on the main issue.  A clarification regarding the optics.  Seems that the 6500 UB, per an email I just received, does have the same optics as the older 1080 UB.  To explain the noticeable increase in sharpness, Epson suggests that it is in part (or mostly) due to improved image processing. That the 6500 UB is sharper than the 1080 UB I have here, however, is definite.  And the improvement is significant (or significant, relative to my general position that while there are differences in sharpness between “average” sharpness projectors like the 1080 UB, and Sharp ones, like the 6500 UB, InFocus IN83, the Mitsubishi HC7000 and BenQ projectors, that all are relatively sharp, and that sharpness differences should be only a minor factor, and definitely not a deal breaker.

OK, frame interpolation time.

So far I have only really worked with 24fps source material on Blu-ray.  Here’s what I’m finding:

1.  If frame interpolation is turned on, regardless of whether 4:4 is engaged or not, the artifacts that make the image look like a live digital video source, incredible depth, but jerky, and definitely a long way from “film-like”.  The effect is impressive, but wrong.  There is more than enough jerkiness to the image for me to say, so far, that having frame interpolation turned on, with a 24 fps source is not a viable option.

Note:  If 4:4 is turned on, you cannot get into the frame interpolation menu – it’s grayed out.  It does however show the last setting. Whether it’s still working or not, I haven’t been able to determine, but it seems to be still running.  Better to turn 4:4 off, then enter Frame Interpolation, turn it off, then go and turn 4:4 back on.

2.  4:4 On, with frame interpolation showing off (still grayed out).  Finding some definite artifacts, very noticeable in the card game scenes of Casino Royale, especially with slow panning.  There is a “blurring” worse than having 4:4 off.  white shirts, heads, etc. seem almost to be losing frames, as there is a much larger jump in changes to the faces/shirts, etc, as the slow moving objects move due to the slow panning.

I’ll be viewing more different scenes, for this, including other movies, but very evident on that scene, and if consistent, I’d have to recommend not using 4:4???   

I will be doing some side by side observations with the PT-AE3000 and the Sanyo Z3000 specifically to compare how they do regarding these issues.  

Conjecture:  I haven’t tried this yet, but will in the next session in the testing room:  I plan to turn 24fps off on the PS3 to feed the “old fashioned” 30/60fps to the projector.  This may well prove to be a much better result.  My guess is that Epson really focused their creative frame interpolation around 60fps to 120fps, in which case the Epson may do a very good job with that setup, one better than feeding it 24fps.

Deal breaker?

No.  I’m still not completely sold on frame interpolation anyway.  Black level performance, for example, is far more significant in my opinion than various frame interpolation schemes.  Frame interpolation, motion blur, etc. seems to be like Rainbow effect on DLP projectors.  Different folks have different sensitivities.

More on all this, in the final review.

The Answer:  Absolutely not!

The Question:  Has this 4:4, frame interpolation situation significantly changed my initial opinion of the Epson Home Cinema 6500 UB?   No, it’s still a real improvement over the 1080 UB, and a great projector.  However, I’d sure like to find a way to see creative frame interpolation, or 4:4, or both, work really well with  24fps source material.  

OK, and on the very bright side:  The Epson lamp is rated 4000 hours (according to an email back from Epson), whether in low or full power!!!  NOW That is impressive!!!

Forgetting that issue, it’s still sharper, image has better depth, longer lamp life (double in full power mode) and has better black levels. And if feeding 30/60fps instead of 24fps, solves the issue above, and produces a better solution than feeding 24fps with 4:4 and frame interpolation off, then bingo, another benefit.

In other words, it still looks to be a cut above the competition, but of course there are always trade-offs.

You don’t want to buy the best projector, you want the one that’s best for you, and often they aren’t the same.  Still, this has to be on everyone’s short list.  

Enough for now, time to start the family activities.

Everyone – happy Hanukah, Merry Christmas, or a great holiday – which ever you prefer.  In other words:

Happy Holidays!  -art

News And Comments

  • Matt

    How does the epson compare to single chip DLP’s and mitsubishi pj’s in terms of sharpness?
    On that note, how do mitsubishi’s compare to DLP’s in sharpness?


    Hi Matt,

    Ahh, a relatively easy question! It is very sharp. I haven’t done a formal side by side with any known, very sharp projectors (ie. IN83, BenQ W5K or W20K, Mitsubishi HC7000) yet. When I did have the SIM2 guy down yesterday morning, though we had his Domino D80E (single chip DLP, $8995) and the 6500 UB set up and were viewing one, than another (same feed, covering the lens of the one projector then, the other. The D80E also uses a Fujinon lens. The Epson was definitely a tad sharper, not to a significant amount. I shot/observed the Space Cowboys monitor close-up image I always use, and it looked really sharp. In that regard, and I viewed that and other content for sharpness, side by side with the Panasonic. It’s definitely sharper than the Panny, which is traditionally “average”.

    So, my take is – about as sharp as anything out there. But, I will be comparing to the InFocus IN83, which is a very sharp DLP, and will report in the review.

    Happy holidays! -art

  • Jim

    Hi Art, well your latest talk about the interpolation features totally failing has me back on the fence. Knowing that I need good fast motion for my football games etc, would you go back to recommending the BenQ w5k? I’m assuming that Epson will be having a few FW updates in the near future to try to fix this problem. If they do, how easy will it be to get the newer FW on my epson? Would they just send me a new unit?

    I’m dissappointed that there is such a problem with their interpolation…why even include it if it fails so miserably. The AE3000′s interpolation seems to work very well, I wonder why Epson’s is not…

    Merry Christmas


    Hi Jim! Don’t stress out yet. It’s Christmas Eve! have a brandy! As you probably know from my site, I still don’t see frame interpolation as a big thing for most people. I barely notice at all in general, and it seems from what I’ve read, it is in one way, like the rainbow effect, it affects everyone differently, or not at all. I read an interesting article just a few days ago, as part of trying to sort this all out.

    First of all, I haven’t tried switching my PS3 back to not outputting 24fps. I know that some processors will reverse process back to 24 and restart from there. So, while as of right now, but maybe not a few hours from now, I haven’t done that yet. It could be great, or it might not be.

    With much thinking about this, I wonder, as over the next 2-3 years everything switches to 120hz, if film directors won’t start factoring that in to the motion affects they plan. With first class creative frame interpolation, super high motion scenes will slow down a bit – Transformers immediately comes to mind. In a sense, with the PT-AE3000, turning creative frame on, makes a lot of the motion of the transformers changing, or the fight scenes, seem a little slow or less exciting than with it off. So, while it is definitely useful for sports, I like the philosophical argument that frame interpolation is inherently less film like, and can distort, “the director’s intent”. Wouldn’t want that now, would we.

    But the main thing – to get back on point, is I will be doing a lot of football watching over the next 3-4 days. I didn’t notice any problems when watching saturday (at least 6 solid hours of football, and I had frame interpolation on, on the 6500 UB, the whole time.

    I was in “normal” not review mode. Which means I stop watching the projector, and watch the content – exclusively. it takes a real, not insignificant problem, to get me to notice. It’s easy to find artifacts of all kinds, when looking. Some are inherent to standard blu-ray disc encoding.

    I’ll blog back re frame interpolation on sports no later than Friday afternoon. This time I’ll pay more attention. Had I had the 24fps experiences described, before I watched football on Saturday, I would have been at least, briefly, looking. My guess, though is that it performed every bit as good as the Panny did when I watched sports on it. Anyway my next look, will confirm or deny.

    Had that brandy yet? G’night! -art

  • Randomcreek

    Thanks Art ! I’m glad you are getting into the nitty gritty details of the various frame interpolation issues- and on X-mas eve to boot- you are the man. Cheers.

    Thanks! hang in there! -art