To demonstrate the projector’s full potential, Fujifilm partnered with Igloo Vision at InfoComm 2025 to build a custom 213-square-foot immersive room at the show. The exhibit used eight FP-ZUH6000 units for floor-to-ceiling edge-blended projection powered by Igloo’s ICE-Book engine. The FP-ZUH6000’s optical shift and rotation capabilities simplified alignment across all those surfaces, while the ultra-short throw optics minimized shadows and prevented projector beams from shining directly into visitors’ eyes.

The demonstration highlighted the projector’s unique design enables experiences that are nearly impossible with conventional hardware. It illustrated why the FP-ZU6000 is well-suited for experiential marketing suites, simulation environments, and multi-sensory exhibits where traditional projectors would either intrude into the space or require complex mirror systems.

For corporate events, the ability to hide the projector body while only exposing the lens allows designers to integrate large visuals into stage sets or architectural backdrops without cluttering the view with hardware. The relatively quiet operation and long-life laser engine mean that once the system is installed and calibrated, it can run day after day with minimal maintenance.

Additionally, the folded optical path reduces the need for external mirrors or periscope assemblies that are sometimes used with standard-throw projectors to achieve unconventional projection angles. Such external optics add cost and alignment complexity, whereas Fujifilm’s solution integrates them into a factory-calibrated, sealed lens unit.

Color reproduction is an area where Fujifilm’s heritage is particularly evident. The FP-ZUH6000 supports full CMS adjustments, accepts 3D LUTs, and introduces Fujifilm  film-simulation modes borrowed from the company’s X-Series and GFX-Series cameras. Creative professionals can apply ETERNA for a cinematic tone or VELVIA for highly saturated color, emulating the company’s classic Fujifilm film stocks.

 In Fujifilm’s Z-series family, the FP-ZUH6000 sits alongside the FP-Z8000 and FP-Z6000. All three models share the same basic chassis and a folded, two-axis, rotatable lens, but differ in resolution and brightness.

The FP-Z8000 is an 8,000-lumen WUXGA projector designed for larger venues or environments with high ambient light, while the FP-Z6000 is a 6,000-lumen WUXGA model that offers similar brightness to the FP-ZUH6000 but with 1920 × 1200 native resolution and no 4K pixel-shifting. The FP-ZUH6000 is the only 4K-capable member of the family at present.  The chart below shows the main differences between Fujifilm projectors.

Due to its lens, the FP-ZUH6000 looks different than most fixed lens projectors. Despite its advanced optics and high brightness, the FP-ZUH6000 has a compact footprint and weighs just over 30 pounds. The build quality feels consistent with Fujifilm’s professional optical products. The chassis is surprisingly compact, measuring about 19.1” x 19.5” x 7.9” (486mm × 496mm × 175mm) and weighing roughly 38.6 pounds (17.5 kg) so it just as easy to transport and rigging as any 6000-lumen 4K installation focused projector.

The FP-ZUH6000 consists of a low-profile chassis that houses the light engine, power supply, and electronics, while the lens sits at the end of a vertical “periscope” arm. The lens barrel can rotate around the arm, and the arm can rotate relative to the chassis, allowing the projector to redirect its beam from wall to floor or ceiling without relocating the body. Fujifilm offers the projector in black and white versions so integrators can better blend it into different interiors.

Although the projector lacks built-in Wi-Fi or smart streaming, that omission is unlikely to concern most professional integrators. In trade show and event environments, content is usually delivered from media servers, playback PCs, or dedicated media players, all of which can connect easily via HDMI or HDBaseT.

The chassis has been carefully designed with an airflow path to manage heat from the 650-watt power section and laser module, while keeping audible noise to a rated 36 dB in normal mode and 34 dB in eco mode. For trade show booths and galleries that are already acoustically lively, that relatively low noise level would be unnoticeable.

The FP-ZUH6000 delivers good color reproduction and includes a wide array of color controls, including Color Temperature, Gamma, White Balance, and multi-color tuning. When viewing SDR, the default color saturation was a little low. Increasing its Color setting slightly made colors look more vibrant without losing their lifelike quality. I also dropped the gamma to about 2.4 to improve the black level in my dark space.

Since your room and screen material significantly impact the overall picture, we don’t recommend using someone else's calibration adjustments. If your room is brighter or darker or your walls are a different color, copying someone else's results can cause more harm than good. If you would like to make some quick adjustments to improve the picture quality of your projector in your room, check out our video called Optimize The Image of a Projector or TV Using Free Murideo Test Patterns

I spent several hours watching Movies and broadcast content on the FP-ZUH6000. While color reproduction and black level cannot match those of a dedicated Home Theater projector, the FP-ZUH6000 was better than many business projectors I have reviewed. Since projectors like the ZUH6000 are often utilized for corporate events and in Houses of Worship, colors must be bright and accurate.  This ensures the presenter’s skin tone and clothing appear on the screen as they do on stage.

Motion handling is solid thanks to the DLP chip's fast response, and the projector supports up to 1080P/240fps for specialized applications such as simulation, interactive exhibits, or high-frame-rate gaming.

The FP-ZUH6000 supports HDR10. When viewing HDR, Brightness and Contrast adjustments are needed to achieve good average brightness while maintaining highlight detail.  I engaged the Dynamic Contrast feature and increased the Contrast Setting to 14 because the default setting of zero was too dim. However, be advised that increasing the CONTRAST too much will also blow out bright highlights, for example, the background in the Aquaman throne room is blown out when you go from 14 to about 21.

Text as small as an 8-point font is very easy to read from a distance. Since this is a 4K projector, viewers can sit close to a very large screen, and the image remains clear compared to the typical professional projector's WUXGA (1920 x 1200) displayed resolution. The FP-ZUH6000’s high brightness and good color reproduction ensure artwork, PowerPoint, and graphics are accurately displayed.

The projector’s good color reproduction, Film Simulation modes, and support for external 3D LUTs reflect Fujifilm’s deep background in imaging and optics. At the same time, robust networking, warping, and edge-blending tools enable integration into multi-projector arrays.

For AV professionals tasked with building memorable environments in spaces that are anything but conventional, the FP-ZUH6000 offers a compelling blend of image quality, installation freedom, and long-term reliability. It is not a budget solution, nor is it aimed at home theater enthusiasts, but for museums, brand experiences, simulation labs, and premium trade show booths, Fujifilm’s rotatable lens 4K projector stands out as a highly capable and genuinely innovative option.