At InfoComm 2025, projection technology remained central to many of the industry’s most forward-looking solutions, with manufacturers emphasizing advances in brightness, installation flexibility, immersive applications, and simplified integration. For both integrators and end-users, this year’s show highlighted how projection continues to offer practical, scalable display solutions across a wide range of environments, from classrooms and corporate boardrooms to immersive entertainment and temporary installations.

While the popularity of direct-view LED walls continues to grow, manufacturers at InfoComm demonstrated that projection offers unique advantages in terms of flexible image sizing, unconventional surfaces, and cost-effective deployment. Many of the systems shown this year addressed long-standing installation challenges through new lens designs, alignment software, and improved networking capabilities. In addition, developments in fiber optic cabling and signal distribution reinforced the importance of infrastructure that can keep up with the demands of high-bandwidth video in modern projection systems.

Let’s take a quick look at some of the projector-related manufacturers who were at the show and what they had on display.For an more detailed overview check, out our InfoComm 2025 Manufacturer Booth Recap Videos.

Panasonic

One of the most significant announcements came from Panasonic Projector & Display Americas, which introduced MEVIX, a new sub-brand focused on delivering complete AV ecosystems that combine projection, display, software, and services. MEVIX, which stands for Media, Entertainment & Visual Transformation, marks a shift from Panasonic’s previous hardware-only strategy to a more integrated approach that includes cloud-based tools, modular platforms, and end-to-end system support.

Among the new projectors featured was the PT-RQ45K, a 40,000-lumen 3-chip DLP projector offering increased brightness in a chassis size similar to older 30,000-lumen models. The booth also featured the PT-RQ7, a 7,000-lumen projector designed for digital art and immersive spaces. Panasonic highlighted its partnership with Artome to develop a mobile AV cart solution that integrates projection and audio into a compact, all-in-one system ideal for educational use. With lens options continuing to expand, the company emphasized projection’s ongoing relevance in environments where large images must be mapped to irregular surfaces or installed in dynamic, flexible spaces.

Hisense

Hisense is bridging the gap between its well-known consumer laser TV lineup and its expanding presence in the professional AV space. The centerpiece of the booth was the debut of the L9Q, a new ultra-short throw projector that builds on the success of Hisense’s PX3 Pro by increasing brightness to 5,000 lumens and boosting native contrast to 5,000:1. Unlike prior models, the L9Q utilizes a newly developed DLP chip that is exclusive to Hisense, and supports screen sizes up to 200 inches. A key element of its design is its premium industrial styling, with a wood and bronze finish that reflects Hisense’s growing attention to aesthetics in addition to performance.

The L9Q also incorporates a high-performance built-in audio system, with compatibility for an upcoming accessory called the Hisense HT Saturn. This external speaker system, tuned by Devialet, is designed to work in conjunction with the L9Q’s internal speaker, allowing the projector to serve as the center channel in a larger multi-channel setup.

In addition to the L9Q, Hisense showcased their lineup of lifestyle projectors, including the C2 Ultra and the new M2 Pro. The M2 Pro ($ 1,299 MSRP) is a compact 4K projector featuring a 1300-lumen TriChroma laser light engine capable of reproducing 110% of the Rec. 2020 color gamut. Designed with portability in mind, it can be moved easily from room to room and supports image sizes up to 150 inches. Smart functionality, digital zoom, and a compact form factor make the M2 Pro well-suited for both home entertainment and mobile educational use cases.

Perhaps the most unexpected product shown at the booth was a new 7,500-lumen standard-throw laser projector equipped with interchangeable lenses. Although not officially announced before the show, this projector marks Hisense’s entry into the professional installation space for larger venues, such as lecture halls and conference rooms. The projector utilizes a blue laser phosphor light source, delivering good color reproduction and a vibrant image even under the show floor’s high ambient light.

Hisense’s presence at InfoComm emphasized its transition from a consumer-focused brand into one capable of addressing both residential and commercial AV needs.

Epson

Epson showcased its wide range of high-brightness 3LCD projectors, with a focus on their use in immersive environments and collaborative spaces. A centerpiece of the booth was a 300-inch 8K image created by blending four 20,000-lumen projectors using Epson’s PixAlign camera system. The system allows for simplified edge blending and auto alignment using software and attached cameras, minimizing the complexity traditionally associated with large multi-projector setups.

Epson also introduced twelve new PowerLite L-Series models, offering up to 8,000 lumens in fixed lens designs. Demonstrations included architectural projection mapping, interactive installations, and ultra-short throw setups for small rooms. The PowerLite 810 ultra-short throw projector was shown in a mobile cart configuration, further underlining the trend toward portability and adaptability in education and business environments.

Barco

Barco demonstrated their continued leadership in both large-venue and mid-range projection with the introduction of the QDX series, a new line of 3-chip DLP projectors delivering up to 41,000 lumens with native 4K resolution. The QDX models will be available in both laser phosphor and RGB laser variants.

A unique feature of the QDX is its external cooling system, which reduces noise, extends projector lifespan, and allows for closer stacking in multi-unit installations. Barco also demonstrated a motorized rigging system designed to simplify alignment and adjustments without requiring manual access.

In the single-chip category, Barco expanded its G-Series line and highlighted the I600, a 4K 120 Hz projector with a compact form factor suited for boardrooms and educational settings. A high-frame-rate 3D demonstration showed how dual-view content could be presented using passive glasses, with no visible flicker thanks to the projector’s high refresh rate.

Christie

Christie’s booth focused on both large-venue projection and practical single-chip options for immersive and educational applications. Their new Sapphire Series hybrid projector, which combines RGB and laser phosphor technologies, delivers 40,000 lumens and supports full P3 color while maintaining compatibility with rear projection and 3D applications. The hybrid light engine helps address limitations typically found in pure RGB systems.

Also on display was the Jazz Series, a line of one-chip DLP projectors ranging from 16,000 to 24,000 lumens. These units use Texas Instruments' new high-efficiency DMD and offer UHD resolution through pixel-shifting. In an immersive room setup, six Inspire Series short-throw projectors created a floor-to-ceiling experience, demonstrating how smaller, more efficient projectors can now support room-scale displays with minimal rigging.

Multiple projection mapping examples showed how sculptural elements could be enhanced through content tailored to physical forms, a trend gaining traction in museums, theme parks and entertainment venues.

Elite ProAV

Elite ProAV, a division of Elite Screens, focuses on professional and integrator-driven markets, including education, government, and hospitality. Products under the Elite ProAV name include enhanced warranties, specialized materials, and hardware optimized for frequent setup and takedown in portable use cases.

At the show, Elite ProAV introduced its new DarkUST® 3 screen material design for ultra-short throw (UST) projection in environments with limited control over ambient lighting. The lenticular screen surface rejects up to 85 percent of overhead light, significantly improving image contrast and black levels when compared to traditional matte white screens.

Unlike rigid ALR screens, the new PVC-based backing allows for larger screen sizes and easier transport without compromising optical performance. This makes the DarkUST 3 material particularly useful in classrooms, houses of worship, and corporate training rooms, where lighting conditions are often less than ideal.

Two portable screen solutions featuring the new material were on display. The Floor Riser Pro DarkUST 3 is a manual telescoping floor-based screen that can be set up quickly without the need for tools and is available in sizes up to 123 inches. The Presenter Pro DarkUST 3 is a folding frame screen available in sizes up to 150 inches, offering a more compact case and tighter screen tension for reduced ripples. Both systems are designed for mobile AV applications, allowing projection setups to be moved between rooms or taken on the road for events and training.

With UST projectors now reaching 5,000 lumens or more, the combination of high brightness and ambient light rejection has made large-format projection viable even in bright environments. With a bundled solution of a bright UST projector and portable ALR screen often costing less than $5,000, Elite ProAV showed that projection remains the most practical way to deliver immersive, large-format visuals for mobile and multi-use environments.

Fijifilm

Fujifilm presented the Z6000, its first 4K projector, and a continuation of its distinctive approach to optics. The Z6000 features a rotating, folding lens and an extreme range of vertical and horizontal shift, making it highly flexible for installations in tight or unconventional spaces.

Rated at 6,000 lumens, the Z6000 uses a blue laser phosphor light source and supports 3D LUTs and Fujifilm’s proprietary film simulations, giving users fine control over color reproduction. In partnership with Igloo Vision, Fujifilm demonstrated an immersive environment using eight Z6000 projectors in a fully enclosed space, leveraging the lens shift capabilities to simplify alignment and minimize shadows.

Ricoh

Ricoh highlighted its UHL3660, a 4K ultra-short throw projector delivering 6,500 lumens with dual-laser DLP technology. This unit was noted for its compact footprint, high brightness, and support for HDR. It also offers Miracast wireless connectivity, enabling direct screen sharing from compatible devices. The projector performed well in the brightly lit trade show setting, especially when paired with an ambient light-rejecting screen.

Ricoh also displayed the WUL6690, a standard-throw projector rated at 9,600 lumens, which was praised for its portability and suitability for rentals or temporary installations. Additionally, the WUL5A50, a 5,200-lumen classroom and business model, was part of a broader product lineup designed to offer price-performance options across various business and education applications.

Optoma

Optoma featured several new models targeting simulation, mapping, and corporate display applications. The ZK1320 is a 13,500-lumen projector with 4K UHD+ resolution and a 16:10 aspect ratio, shown in use with an ultra-short throw lens and HeavyM mapping software. Also highlighted was the ZU2200, a 22,000-lumen WUXGA projector with integrated warping, edge blending, and support for Visual Suite auto-calibration software.

Optoma highlighted a golf and multi-sport simulation experience, which was a collaboration. The ZK810TST, an 8500-lumen 4K short-throw projector, was showcased in the golf simulator setup. The demo allows attendees to engage in golf, football, and baseball simulations in a highly realistic and visually impressive setting. In addition to projection, Optoma launched a 135-inch all-in-one direct-view LED display, designed as a turnkey solution for corporate environments.

Cleerline

Cleerline Technology Group showcased its patented fiber optic cable, engineered for strength, flexibility, and ease of termination. The cable features a polymer coating that enhances durability, making the fiber significantly more tolerant to bending and physical stress. A 3mm cable can accommodate up to 24 strands, each capable of supporting extremely high data rates, effectively future-proofing installations as bandwidth requirements grow.

Cleerline’s demonstration included a live walkthrough of the termination process, which does not require traditional fiber cleaning steps due to the protective coating. The system is compatible with a wide range of fiber extenders. Cleerline fiber is utilized in several active optical HDMI cables from brands like AVPro. Fiber cables used in 18 and 48 Gbps HDMI systems can be repurposed for future standards like 96 Gbps, offering incredible longevity and investment protection.

Vivitek

Vivitek showcased its powerful lineup of large venue and 4K projectors designed for events, education, and professional installations. The DU9059Z is the brightest single-chip projector on the market, with an incredible 30,000 lumens. Compact and efficient, it’s built for high-output environments with reduced heat output and improved portability, which is ideal for rental companies and multi-city productions.

Also featured is the DK8155, a 15,000-lumen 4K projector that delivers full brightness on standard 120V power, thanks to cutting-edge laser diode efficiency. Both models support interchangeable lenses, offering throw ranges from ultra-short to long throw for maximum flexibility.

For smaller spaces, Vivitek highlighted the DK5153, a 4K 6200-lumen crossover projector perfect for conference rooms, houses of worship, or even bright home theater setups. It features manual lens shift and a fixed zoom lens, making it an accessible yet capable solution.

Igloo Vision

With installations at the Epson, Fujifilm, and Panasonic booths, Igloo Vision showcased a software solution that can be combined with projection to turn any space into a shared virtual experience.

Igloo Vision creates fully immersive, multi-user environments powered by its proprietary Igloo Core Engine software. These flexible spaces support a wide range of content, from 360° videos to PowerPoint decks, and are adaptable for boardrooms, classrooms, museums, and architectural visualization. The software supports resolutions up to 8K, and can be controlled via desktop, tablet, or even gesture-based touch sensors.

The company’s platform supports a wide range of content formats and can be deployed using standard ultra-short throw projectors in overhead or wall-mounted configurations. In their booth, Igloo Vision demonstrated a three-wall projection setup using Epson ultra-short throw projectors, highlighting how the system avoids shadows and enables touch interactivity.

Conclusion

Throughout InfoComm 2025, exhibitors emphasized not just the capabilities of their projectors but the importance of the ecosystems around them, including lenses, software, infrastructure, and services that simplify deployment and improve the quality of the end-user experience. Across both high-lumen large-venue models and compact units for classrooms and meeting rooms, projection remains a flexible, scalable, and increasingly efficient display technology.

For integrators and end-users alike, the advancements on display reaffirmed projection’s place in the modern AV landscape. Whether used for immersive environments, blended displays, mobile classrooms, or fixed installations, the solutions presented at InfoComm 2025 demonstrated that projection is still one of the best solutions and continues to evolve to meet the demands of today's connected and collaborative spaces.

InfoComm 2025 Recap: Projector Innovations for Business and Education