SKIN TONES
Lord of the Rings: Gandalf
There are a lot of different preset modes, but the ones closest to an ideal 6500K are all up around 7000K when measuring white. As such, the image on modes like Cinema 3 which we based "best" mode on, are a touch cool. All considered, the general color and skin tones in several modes are really good for right out of the box.
One thing of note, is the Dynamic mode. Interestingly, the default is extremely cool - over 10,000K. Yet by using Color Temp 5 instead of its default setting, it not only improves the "brightest" mode's color, but it also yields an extra 10% brightness.
Check out our recommended settings for items like Brightness, Color, etc. on the Calibration page of this review.
The flesh tones of the VW95ES projector are one of its great strengths. Perhaps it's the accurate color gamut Mike has pointed out, but the Sony does really great on skin tones on bright scenes. Running the Sony side by side against the lower cost Epson Home Cinema 5010, resulted in the Epson looking really good, but the Sony was just more natural.
On the other hand, in darker scenes, the skin tones are picking up a touch too much red, which I believe ties to the redish coloring of the Sony's idea of pure black. As described elsewhere, this seems to be a background problem, and those tend to be gone by the time full production versions are hitting the street. Note, most projectors have some slight shift in their backgrounds from neutral black, including, sometimes, shifting from one color to another - such as from red to blue - going from left to right of a screen. Thus, it's not unusual, but the significant amount here, will likely, mostly or completely, go away. We shall see.