Posted on March 4, 2014 By Lisa Feierman
As usual, Sony provides a range of color spaces that tend to make a CMS unnecessary. BT.709 is about as close as you can get to the Rec. 709 standard. Color Space 1, 2 and 3 expand the gamut to varying degrees, with Wide 3 being the largest gamut of the three. As far as picture quality is concerned, the different color spaces used by TV, the Cinema Film and Bright modes make for more saturated colors, but are less accurate.
Click to enlarge these charts, pre- and post-calibration.
© 2017 Projector Reviews