SIM2 Nero 3D-2 Projector – Image Quality 2

Shadow Detail Performance

SIM2 Nero 3D-2 Projector:

Sony VPL-VW95ES:

Below Mitsubishi HC9000D (last year’s Best In Class winner, $3500 – $10,000)

Sony VPL-VPL-HW30ES ($3699): This lower cost Sony projector is respectable on detail, but can’t match the 3D-2 on blacks.

Epson’s Home Cinema 5010:

JVC DLA-RS25:

Runco LS-10d (a very nice 3 chip $27K projector with very good shadow detail)

SIM2 Nero 3D-2 - Overall Color & Picture Quality

For your consideration: Here are additional images, some of which can be found on other reviews:

The bottom line on overall picture quality:

Pre-calibration, very good. Post calibration, great. Other than the tendency of oversaturated colors, which reducing the color saturation tends to address, there’s really nothing to complain about. I’ve got over 50 hours now, logged, watching the Nero 3D-2 in 2D, and I’ve enjoyed all of it. Oh my old JVC can do better blacks still, but at the moment, my JVC is underpowered if I want to watch a movie filling my full 124″ diagonal 2.35:1 screen, whereas the Nero 3D-2 handles it no problem, in terms of brightness!

SIM2 Nero 3D-2 Projector: Performance, HDTV and Sports

Other than having twice as many lumens (2000 thousand instead of the 1005 maximum we measured), I’m perfectly happy with sports on the Nero 3D-2. Colors are dynamic, the CFI works nicely and smooths motion. Shadow detail and black levels really aren’t an issue for sports as sports is rarely dark. The abilities of the Nero 3D-2 come into play for other HDTV content, be it concert videos (I’m a huge fan), or travel and education type material from the likes of Discovery HD, History HD, SyFiHD, Nat Geo HD, and so on.

Below a mix of NFL images, music videos, and other images:

Bottom line for HDTV on the SIM2 Nero 3D-2 Home Theater Projector

The Sony may lack the more precision sharpness of a first class single chip DLP projector, but it’s right up there for good sharpness with any of the 3 chip LCoS or LCD projectors. It converges very well, and still looks very sharp on digital content. I watched a few concerts, some Smithsonian HD, plenty of sports (football mostly), and more, when it comes to 2D digital content.

In my theater, I can have all my rear recessed lights on (7 down facing LED lights – each about 50 watt equivalent), and even sports viewing is more than bright enough in 2D, with the low ambient light. While there isn’t a huge difference in brightness between the Sony’s various modes, filling a 100″ screen (16:9) even with the ambient light in any of the modes, works great in my theater. I never really needed to go to “brightest mode” except for 3D, or if I chose to partially open a couple of my shutters to let in a little sun light.

Which reminds me! Sports in 3D can be really great. I’ve recorded a couple of college football games, boxing (not my thing, normally), X-games, and so on. Very cool in 3D on the Sony. There sure isn’t a whole lot of content yet, but more is coming… including for the second year, the BCS championship game.

Content like the two Stephen Lowe “productions,” Tahiti 3D: Ultimate Wave, and Legends of Flight, are just downright awesome in 3D. (Image above from “Flight).

This works for me. Mind you, if I was trying to use this projector in a room with off white walls and ceilings, I’d be running out of lumens much faster, but in the theater type situation the Nero 3D-2 is normally being used in, sports and HDTV should be just fine, even with lots of company and a fair amount of controlled ambient light.

If you are placing the 3D-2 in a lighter room, pay particular attention to your choice of screens. If a siginficant amount of any ambient lighting is coming from the sides, a really good high contrast gray screen can really help